Hugh Hayden: Home Work

Hugh Hayden: Home Work

I am good—pretty good—at keeping my hands in my pockets or clasped behind my back while in an art museum. Rules keep the art safe. Even so, between my poor eyesight and exuberance in the presence of objects of wonder, I have driven a number of guards on two continents...
One Person’s Nude

One Person’s Nude

One pleasant morning, in the late 1980s, I started my work as the Education Curator at the Des Moines Art Center in Iowa. The phone rang; it appeared we had a problem with an upcoming tour of elementary school children who were also scheduled for a studio-art...
Damning Greatness with Faint Attention

Damning Greatness with Faint Attention

The exhibition Wayne Thiebaud 100: Painting, Prints and Drawings, is simply glorious. I saw it at the Brandywine River Museum of Art, the fifth and final venue of a five-museum tour. Wayne Thiebaud is one of my most favorite American artists; he died on Christmas Day...
What We See

What We See

A painter I know, Gary Horn, recently reminded me of a traditional issue. “I could never figure out the great divide between artists and historians,” he wrote. “…art education could be greatly improved by historians and artists discussing art...