A Mighty Woman: Chicago 1

A Mighty Woman: Chicago 1

We paused at the gallery entrance, transfixed by Jan van Hemessen’s Judith with the Head of Holofernes (c.1540). Her Olympian torso filled the frame, her muscular arm raised overhead, only the hasp and bit of blade of her brandished sword visible at the upper left, an...
Art and Artist-Assisted Suicide

Art and Artist-Assisted Suicide

There was an interesting piece in The New York Times this morning. Under the headline “An Artwork Turns to Mush, All According to Plan,” William Grimes described sculptor James Grashow’s desire to be the “architect” of his own work’s demise. In December 2006,...

Wrought with Steadfast Will

I read the new history of my school, Emma Willard School in Troy, New York and paid particular attention to the summary of my own era within those “grey walls protecting.” I am struck by the paradox of the book’s enveloping familiarity and its utter strangeness. Was...
The Painter and Modern Art

The Painter and Modern Art

I think the studio teacher said something like “What is that supposed to be?” during a painting critique. The comment is a variation on an old, old theme in since “Modernism” earned its capital M: “whatever you are doing, it clearly doesn’t meet the standards of ‘good...